Solo Leveling season 2 — can a power fantasy have any depth?
Solo Leveling season 2 (A-1 Pictures, Winter 2026) wrapped. Animation is top-tier, fight choreography is clean, Hiroyuki Sawano's OST still slaps. But after 13 episodes I keep asking the same question: can a power fantasy actually be 'great,' or is it forever just 22 minutes of dopamine a week?

Solo Leveling season 2 (Winter 2026, A-1 Pictures, 13 episodes) just ended. I watched the whole thing — no missed weeks, including the week I was traveling and ended up streaming it on a Pixel at Tan Son Nhat airport.
This isn’t a rating-style review. It’s the question I still can’t answer after 26 episodes across two seasons: can a power fantasy actually be a “great show,” or is it forever just 22 minutes of dopamine per week?
What season 2 does well
Before the harder part, credit where it’s due:
- A-1 Pictures animation. Studio behind Aldnoah.Zero, Sword Art Online, 86. They know how to draw fights you can count — every hit lands on a frame, no cut-away tricks. Jinwoo vs Cerberus (ep 4) and Jinwoo vs Baran (ep 9) are two of the best fight sequences of the entire Winter/Spring 2026 cour.
- Hiroyuki Sawano OST. The composer behind Attack on Titan, Kill la Kill, 86. The track “LEvel” has the perfect build-up to “you hear it, you know Jinwoo’s about to drop someone.” Good music saves a lot of average scenes.
- Pacing on chapters 110–179 in 13 episodes — compressed just right, no rushing like season 1. The Jeju Island (Ant King) arc gets 5 episodes, which is enough room for the stakes to actually land.
- Sound design. The sound of Jinwoo unsheathing from his shadow inventory, the spawn-in of the army of the dead — Sawano knows when silence matters more than music.
If your only metric is “entertaining anime to wind down with on the weekend,” Solo Leveling S2 is a 9/10. Top animation, sharp fights, great OST.
But “entertaining” isn’t the only metric.
What power fantasy is, and why it’s easy to make
Power fantasy = a story where the MC is granted overwhelming strength and uses it to clear every obstacle. The viewer gets a vicarious “I could be that strong too” through identification.
Basic formula:
- MC starts weak or ordinary (so we relate)
- An event grants the power-up (system, unique skill, ancestral lineage, etc.)
- MC escalates the power curve arc by arc
- Fights get top-tier animation so the viewer feels the power
Why it’s easy to make: every step has a known blueprint. Korean manhwa over the last decade has industrialized this formula — Solo Leveling, Tower of God, Omniscient Reader, The Beginning After The End, Hardcore Leveling Warrior. The audience knows exactly what they’re getting; the dopamine hit repeats reliably, almost Skinner-box style.
Power fantasy sells because it’s reliable dopamine. You start an episode knowing 22 minutes later you’ll watch a silver-haired protagonist execute a boss ten times their size, set to a triumphant OST. Zero emotional risk.
Why a great power fantasy is incredibly rare
Four anime I’d put in “great power fantasy”:
1. One Punch Man season 1 (2015)
Subverts from the premise. The MC is so strong nothing challenges him. The dark comedy is that Saitama feels nothing when he one-shots a god-tier boss. The lesson: if you want depth in a power fantasy, ask “what if the MC is already at the top?” — that question alone spawns existentialism.
2. Mob Psycho 100 (2016–2022)
Humanizes. Mob is the strongest psychic in the show, but his arc is about not using his power. Every fight ends with “I won’t use my power against humans.” Power fantasy inverted into moral fantasy: how do you stay strong without becoming the monster?
3. Magic Knight Rayearth (1994–1995)
Deconstructs. Three girls are summoned to be “magic knights” and save the world. Season 1 twist: the world they “saved” was actually better off when the enemy was alive. The act of saving = killing = wrong. The entire power-fantasy premise inverts in the final episode. Still one of the most devastating endings in 90s anime.
4. Hunter x Hunter (2011–2014, Chimera Ant arc)
Combines. Gon is a textbook power-fantasy MC for 80 episodes. Then Chimera Ant pushes power fantasy to its breaking point: Gon permanently sacrifices himself to get the strength to kill Pitou. The show asks: “what is strength worth if you have to trade your childhood and your body for it?”
What all four share: they don’t take their own genre on faith. Each one asks a critical question of the very thing it is.
Solo Leveling doesn’t ask anything
This is where it loses me.
S2 has a moment where Jinwoo looks at the corpses of his old guild teammates during the Jeju Island arc — and I thought “this is where the show asks the hard question: what does power mean if it arrived too late?” That question survives half an episode. Then Jinwoo summons the Ant King as a shadow soldier. The question evaporates.
There’s a moment where Jinwoo visits his mother in the hospital. This could be where the show asks “can power save the people you love?” Instead it’s used to explain why Jinwoo needs to be stronger (to buy the Elixir of Life) — not to interrogate strength itself.
Solo Leveling has total faith in its own premise: “stronger = better.” Every side quest, every NPC, every enemy confirms that message. There isn’t a single moment across 26 episodes where the show asks itself “maybe this story has a problem?”
Compare with HxH’s Chimera Ant arc, where Meruem (the strongest enemy) turns out to not be a monster but a creature capable of love — and Meruem’s final choice asks the viewer: “who are the real humans in this story?” That’s a power fantasy that knows how to question itself.
Solo Leveling has no interest in that question. The show knows what its audience wants (the dopamine) and delivers it continuously, efficiently.
Is it wrong not to ask the hard questions?
The honest answer: no.
Solo Leveling has no obligation to be Mob Psycho 100. An anime can be good at exactly one thing: giving the viewer 22 satisfying minutes a week. A bottle of Coca-Cola doesn’t have to be Bordeaux to be worth drinking.
But this is also why I watch and forget. As of this week I’ve already lost 70% of S2’s details (especially the middle arc). I remember the animation of Jinwoo drawing his sword. I remember the “LEvel” theme. I cannot remember a single line of dialogue Jinwoo says across 13 episodes.
Compare with:
- Frieren S1 — I remember “Why did I learn about Himmel only after he died?” (ep 2). That line still surfaces in my head at 11 PM sometimes.
- Vinland Saga S1 — I remember Thors telling Thorfinn “A true warrior doesn’t need a sword.” Two years later, still there.
- Mob Psycho 100 S3 — I remember Mob saying “I’m not special. I’m just me.” Final line of the series.
Solo Leveling gave me nothing to remember. Because the show doesn’t believe dialogue matters as much as fight choreography.
”So should I watch it?”
Yes. If you:
- Want 13 episodes of top-tier animation in Winter/Spring 2026 with pure entertainment as the bar
- Already love the manhwa formula
- Need a break after Frieren / Vinland Saga (slow-burn) or Chainsaw Man S2 (psychological)
- Want new Sawano OST in your rotation
Don’t expect a great story. Don’t expect a heart-breaking moment. Don’t expect to remember any line a year from now.
Watch it for Jinwoo drawing the sword, the OST hitting, the boss falling.
Why I still tune in every week
After 13 episodes I still didn’t drop it. The real reason, not the dressed-up one:
I do freelance dev work 8 hours a day. By the weekend my brain is out of capacity to parse a complex anime. I can’t watch Vinland Saga after debugging a Postgres deadlock all day. I need something my brain can be empty for and still enjoy.
Solo Leveling fits that slot perfectly. I’m not always in the mood for Frieren. Sometimes I just want an anime that lets my brain rest while my eyes get fed.
That’s a legitimate use case. I shouldn’t feel guilty for watching it. The show shouldn’t feel guilty for being what it is.
Closing
Power fantasy can have depth — One Punch Man, Mob Psycho 100, Magic Knight Rayearth, HxH’s Chimera Ant proved it. But to get there, the show has to dare to question its own premise.
Solo Leveling doesn’t. Solo Leveling does exactly what it sets out to do: 22 entertaining minutes a week, top animation, great OST.
That’s a legitimate goal. It’s also why I’ll watch season 3 (rumored 2027). And it’s why five years from now when someone asks “what was the great anime of Winter 2026?”, I’ll say Frieren season 2 — not Solo Leveling season 2.
Both have a place. Just know which one you’re drinking.
Sources
- Solo Leveling S2 streaming on Crunchyroll. 13 episodes, Winter 2026 cour.
- Original manhwa on Tappytoon. 270 chapters, complete.
- A-1 Pictures studio info from aniplex.co.jp. Prior credits: 86, Lycoris Recoil, Kaguya-sama.
- Hiroyuki Sawano discography at hiroyukisawano.com. Full S2 OST not yet released.
- Power fantasy analysis informed by “Why Power Fantasy is Hard to Get Right” — Mother’s Basement (YouTube, 2023).
- HxH Chimera Ant breakdown drawn from Yoshihiro Togashi interview on Viz Media blog (2014).
- Illustration: Ohio Caverns, Wikimedia Commons, Iron oxide-travertine dripstone by James St. John, CC BY 2.0 (a stand-in for the dungeon atmosphere — not a still from the show).